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The Times on Cinema opens The Times' and the Sunday Times' vast archives of reviews and coverage of Hollywood's most treasured films. Featuring many of cinema's most revered critics, including Philip French, Dilys Powell, Tom Shone and Kate Muir, whose award-winning journalism has often determined the success or failure of a film, the book spans seven decades of film criticism. Editor and critic Brian Pendreigh also complies a selection of the most infamously scathing reviews ever to grace the pages of The Times, as well as a collection of legendary interviews with iconic actors, actresses, directors and producers, who lay bare the secrets to their successes. Featuring a range of rare film stills from The Times' collection, The Times on Cinema is the first book of its kind to make use of such an extensive archive, and is the perfect gift for all
The Times on Cinema opens The Times' and the Sunday Times' vast archives of reviews and coverage of Hollywood's most treasured films. Featuring many of cinema's most revered critics, including Philip French, Dilys Powell, Tom Shone and Kate Muir, whose award-winning journalism has often determined
Marking a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies, this urgent and compelling collection of essays is essential reading for anyone interested in the power and pleasures of moving images. Its title, Afterimages,
Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution
Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ 'subjective realist' narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The
In The Arts of Cinema, Martin Seel explores film's connections to the other arts and the qualities that distinguishe it from them. In nine concise and elegantly written chapters, he explores the cinema's singular aesthetic potential and uses specific examples from a diverse range of films--from
This book provides an accessible, comprehensive discussion of how a small national cinema can remain relevant in the wider environment of globalisation. It includes chapters on the creative documentary, animation and the horror film, as well as Irish history on screen and the depiction of the
Spanish Cinema of the New Millennium provides a new approach to the study of contemporary Spanish cinema between 2000 and 2015, by analysing films that represent both 'high' and 'popular' culture side by
This book is a passionate rendezvous with cinema, the most collaborative of art forms. The essays here explore the possibilities offered by a close reading of cinema that keeps cultural contexts and their socio-historical roots firmly in
A philosophical study of cephalopods in cinema and contemporary mediaOffers up a 'posthuman' understanding of film and media, charting the historical relationships between cephalopods and cinema, especially in the digital ageDraws on work by authors such as Vil m Flusser, Donna J. Haraway, Graham
Documentary cinema has always drawn from real life, but an increasing number of contemporary filmmakers are going further still, drawing onscreen images of reality through a range of animated filmmaking techniques. Drawn from Life is the first book to explore the field of animated documentaries
Get ready to quake in fear with this revised and expanded edition of our history of horror cinema. From serial killers to satanists, The Shining to Scream, some 600 pages explore the genre’s favorite themes, mythologies, and motifs, and get up close and trembling to 50 top horror masterworks from
Barry Forshaw celebrates with enthusiasm the British horror film and its fascination for macabre cinema. A definitive study of the genre, British Gothic Cinema discusses the flowering of the field, with every key film discussed from its beginnings in the 1940s through to the 21st
Between 1959 and 1984, French film director Fran ois Truffaut was interviewed over three hundred times. Each interview offers critical insight into the genesis of Truffaut's films as he shares the sources of his inspiration, the choice of his themes, and the development of his screenplays. In
This ambitious and pioneering work rewrites German cinematic history queerly. It shows how, since the Weimar era, German cinema has played a leading role in the innovation of gay and lesbian cinema, with the tantalizing sexual illegibility and gender instability of German films of the 1920s
Although Jim Jarmusch is best known for his storied career in independent cinema, over the years he has produced hundreds of pieces of collage art, the majority of which has been rarely seen by the public. Drawing inspiration from the largest medium of cultural documentation--newspapers--Jarmusch
Examining the vanguard of New Turkish Cinema, Laurence Raw shows how these films reveal the effects of profound socioeconomic change on ordinary people in contemporary Turkey. In analysis of and personal interviews with Dervis Zaim, Zeki Demirkubuz, Semih Kaplanoglu, agan Irmak, Tolga rnek, and