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Between 1959 and 1984, French film director Fran ois Truffaut was interviewed over three hundred times. Each interview offers critical insight into the genesis of Truffaut's films as he shares the sources of his inspiration, the choice of his themes, and the development of his screenplays. In addition, Truffaut discusses his relationships with collaborators, actors, and the circumstances surrounding the shooting of each film. These texts, originally assembled by Anne Gillain and published in French in 1988, are presented here in a montage arranged chronologically by film. This compilation includes an impressive array of reflections on cinema as an art form. Truffaut defines the aims and practices of the French New Wave, comparing their efforts to the films made by their predecessors and including comments that encompass the entire history of cinema. Truffaut on Cinema provides
Between 1959 and 1984, French film director Fran ois Truffaut was interviewed over three hundred times. Each interview offers critical insight into the genesis of Truffaut's films as he shares the sources of his inspiration, the choice of his themes, and the development of his screenplays. In
The Times on Cinema opens The Times' and the Sunday Times' vast archives of reviews and coverage of Hollywood's most treasured films. Featuring many of cinema's most revered critics, including Philip French, Dilys Powell, Tom Shone and Kate Muir, whose award-winning journalism has often determined
Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution
Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ 'subjective realist' narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The
In The Arts of Cinema, Martin Seel explores film's connections to the other arts and the qualities that distinguishe it from them. In nine concise and elegantly written chapters, he explores the cinema's singular aesthetic potential and uses specific examples from a diverse range of films--from
This book provides an accessible, comprehensive discussion of how a small national cinema can remain relevant in the wider environment of globalisation. It includes chapters on the creative documentary, animation and the horror film, as well as Irish history on screen and the depiction of the
Spanish Cinema of the New Millennium provides a new approach to the study of contemporary Spanish cinema between 2000 and 2015, by analysing films that represent both 'high' and 'popular' culture side by
This book is a passionate rendezvous with cinema, the most collaborative of art forms. The essays here explore the possibilities offered by a close reading of cinema that keeps cultural contexts and their socio-historical roots firmly in
A philosophical study of cephalopods in cinema and contemporary mediaOffers up a 'posthuman' understanding of film and media, charting the historical relationships between cephalopods and cinema, especially in the digital ageDraws on work by authors such as Vil m Flusser, Donna J. Haraway, Graham
Documentary cinema has always drawn from real life, but an increasing number of contemporary filmmakers are going further still, drawing onscreen images of reality through a range of animated filmmaking techniques. Drawn from Life is the first book to explore the field of animated documentaries