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This is the first English translation of Alain Bergala's seminal text on the potentials, possibilities, and problems of bringing film to schools and other educational contexts. Based on the author's own experiences of writing about and teaching film as well as serving as an adviser to then-Minister of Education Jack Lang, Bergala promotes an understanding of film as an autonomous art form - rather than viewing it as a supplement to other established school subjects. Film, for Bergala, is not something that has to smoothly blend into the school but something that can serve as a productive rupture, for both institution and pupil. Published in collaboration with the British Film Institute, this edition will be complemented by a new introduction on the occasion of its first appearance in English and a conversation with Bergala about the current state of film education on an international
This is the first English translation of Alain Bergala's seminal text on the potentials, possibilities, and problems of bringing film to schools and other educational contexts. Based on the author's own experiences of writing about and teaching film as well as serving as an adviser to then-Minister
Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when
An innovative and wide-ranging collection, Expressionism in Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national
In Women's Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia
The Cinema Book' is widely recognised as the ultimate guide to cinema. Authoritative and comprehensive, the third edition has been extensively revised, updated and expanded in response to developments in cinema and cinema studies. Lavishly illustrated in colour, this edition features a wealth of
Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution
This volume investigates the ways in which the Catholic Church used cinema as a space for action within the complex dynamics of modern mass society. Within this context it analyses the Catholic Church's Tilm policy illuminating for the Tirst time, by means of a systematic analysis, a vast body of
French Queer Cinema examines the representation of queer identities and sexualities in contemporary French filmmaking. This groundbreaking volume is the first comprehensive study of the cultural formation and critical reception of contemporary queer film and video in France. French Queer Cinema
The works of Gilles Deleuze -- on cinema, literature, painting, and philosophy -- have made him one of the most widely read thinkers of his generation. This compact critical volume is not only a powerful reappraisal of Deleuze's thought, but also the first major work by Alain Badiou available in
THE CINEMA OF HAYAO MIYAZAKI REVISED AND UPDATED, WITH NEW ILLUSTRATIONS Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the 'Japanese Disney', a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary
'Contemporary Spanish Cinema' offers an essential analysis of the main trends and issues in Spanish film since the death of Franco in 1975. While taking account of cinema during the Franco dictatorship, the book focuses principally on developments in the last two decades. Acknowledging the sheer
A history of cinema in West
In The Arts of Cinema, Martin Seel explores film's connections to the other arts and the qualities that distinguishe it from them. In nine concise and elegantly written chapters, he explores the cinema's singular aesthetic potential and uses specific examples from a diverse range of films--from
The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging
Alan Moore and Kevin O'Neill invite you take a trip through the dark recesses of cinema, in their first major project together since League of Extraordinary Gentlemen. The power of movies, the people behind it, the damage it has done, and the story of one woman forced to bare her soul, is all
An examination of the role of direct address within fiction cinema, focusing on its role in avant-garde or experimental cinema, and popular genre
The second edition of Peter Hutchings's landmark work on British horror cinema, featuring later writings by Hutchings and a new introduction by film historian Johnny
Annette Michelson's erudite and incisive readings of the revolutionary films of Sergei Eisenstein and Dziga Vertov, collected for the first time.This posthumous volume gathers Annette Michelson's erudite and incisive readings of the revolutionary films of Sergei Eisenstein and Dziga Vertov, giving
'The Cinema of Nanni Moretti' provides an analysis and interpretation of the work of the most important Italian film-maker of the past thirty years and an outstanding figure in contemporary European cinema. Interdisciplinary and wide-ranging, the book uses Moretti's films as a lens to view and
Reconsidering the dynamics of perception Using cinema to explore the visual aspects of alterity, Randall Halle analyzes how we become cognizant of each other and how we perceive and judge another person in a visual field. Halle draws on insights from philosophy and recent developments in cognitive
Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution
Masks in Horror Cinema explores the endurance of the mask in this genre. As a transformative device, masks are approached historically and cross-culturally to examine how masked rituals intersect with power, ideology and identity. The power of the mask evolves in horror movies, reflecting new
The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan's finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano's oeuvre through the tropes of stillness and movement, becoming animal,
The Times on Cinema opens The Times' and the Sunday Times' vast archives of reviews and coverage of Hollywood's most treasured films. Featuring many of cinema's most revered critics, including Philip French, Dilys Powell, Tom Shone and Kate Muir, whose award-winning journalism has often determined