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The National Portrait Gallery, the National Gallery and the Royal Academy all saw either radical architectural interventions or rethinks of their mission under Charles Saumarez Smith's leadership, making him uniquely qualified to explore the ways in which art museums have changed over the past century and examine where they might be headed in the future.For this book, Saumarez Smith has undertaken an odyssey to art museums across the globe. From Tate Modern in London to the Benesse House Museum on the Japanese island of Naoshima; from the Getty Center in Los Angeles to the Museum of New and Old Art, a ferry-ride from Hobart in Tasmania; from the Pompidou Centre in Paris to the West Bund Museum in Shanghai - he has visited them all, casting an acute eye on the way the experience of art is shaped by the buildings that house it and the organizing principles by which it is displayed.What has changed over the past century? Where the public once visited museums to be educated in art history, he argues, they are now more likely to be in search of a private, aesthetic experience. Museum displays that were automatically didactic, chronological and either national or Western in viewpoint are now thematic and global. While museums used to be invariably in city centres, they may now be in remote locations, destinations of cultural pilgrimage. And where architects once created neutral spaces in which to display art, they now build spectacular architectural landmarks, stamping an identity on run-down neighbourhoods and sparking regeneration through cultural tourism.
How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major institutions over the course of his distinguished career. For The Art Museum in Modern Times, Saumarez Smith has undertaken an odyssey, visiting art museums across the globe and examining how the experience of art is shaped by the buildings that house it.
His story starts with the Museum of Modern Art in New York, one of the first museums to focus squarely on the art of the present rather than the past. When it opened in 1939, MoMA's boldly modernist building represented a stark riposte to the neoclassicism of most earlier art museums. From there, Saumarez Smith investigates dozens of other museums, including the Tate Modern in London, the Getty Center in Los Angeles, the
The National Portrait Gallery, the National Gallery and the Royal Academy all saw either radical architectural interventions or rethinks of their mission under Charles Saumarez Smith's leadership, making him uniquely qualified to explore the ways in which art museums have changed over the past
Donated to the city of Cincinnati in 1927, Charles and Anna Taft's collection features beautiful porcelain from the Ming and Qing dynasties, paintings by masters including Rembrandt, Gainsborough, Goya, Ingres, Corot, Whistler, and Sargent, and decorative objects including crystal, gold, silver,
Located in the heart of Brussels, the Art et Margins Museum, an outsider art museum, questions art and its borders. Text in English, French, and
Visit the world's greatest museum without leaving your home through this imaginary art museum - a visually spectacular survey of world art for middle-grade readers (aged 8-14 years), curated in collaboration with a global team of experts and
Every year at the holidays, the historic Morgan Library & Museum in Manhattan displays one of the crown jewels of its extraordinary collection: the original manuscript of Charles Dickens sA Christmas Carol, with its detailed emendations, deletions, and insertions in Dickens s own hand. Here, for
- Presents stories behind the sketches including exclusive artwork and previously unseen imagesGeorge Saumarez Smith, a director of ADAM Architecture, is celebrated for the elegance of his work as one of Britain's foremost classical architects. As a student at Edinburgh University, he belonged to
American Modern presents a fresh look at The Museum of Modern Art's holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the twentieth century. Organized thematically and featuring paintings,
A critical study of the history of public art museums in Austria-Hungary, examining their place in the wider history of European museums and collecting, their role as public institutions, and their involvement in the complex cultural politics of the Habsburg
Her posthumous exhibition at the Museum of Modern Art a year later drew lines around the block. She was born into a Russian-Jewish family, the Nemerovs, who owned a department store on Fifth Avenue. Avedon rose to greater and greater commercial success through the magazine
When the Museum of Modern Art sent its first exhibition to Europe, Florine Stettheimer (1871-1944) joined Georgia O'Keeffe as the only women included. Stettheimer's sensuous paintings and eccentric poetry earned her a place at the heart of the modernist avant-garde. The guest lists for her
In 1999, the Museum of Fine Arts in Houston reportedly paid $1.25 million for a single painting, Magnolias on Gold Velvet Cloth. A striking close-up of magnolia buds, this painting is just one high-profile example of the evocative power magnolias have on art and culture. Gardeners have revered the
In a unique arrangement with the National Railway Museum, the Poster to Poster series is an eight-volume definitive collection of British railway posters which showcases some of the greatest collections of railway posters to be found anywhere in the world. Each volume is a mixture of travel
Join the art critic Ben Eastham on a private tour of an extraordinary museum. Let him walk you through a building constructed from memory and filled with a series of bewildering art works, while he delivers a guide comprised of personal experience, professional expertise and sympathy. In this
In line with best-selling The Louvre: All the Paintings, and Rizzoli's successful The Hermitage Collections and The Barnes Foundation: Masterworks, this title offers an exquisite tour, unique in its lavish illustration, scholarship, extent, and graceful packaging. As the first large survey
Accompanying an exhibition of the same name at the Louisiana Museum of Modern Art, this publication examines the recent work of the Chinese architect Wang Shu, Pritzker Prize winner in 2012. At a time when China's explosive urbanization is making inroads into rural areas and leaving the marks of
The newest title in the Welcome to the Museum series focuses its attention on the impressive beasts that once ruled the world: dinosaurs. With artwork from Chris Wormell, this stunningly curated guide to dinosaurs gives readers the experience of a fascinating exhibition from the pages of a
Published as a large-format hardcover to celebrate the museum's 90th anniversary and the October 2019 opening of the new MoMA after its historic expansionIn October 2019, the Museum of Modern Art celebrates its 90th anniversary with the reopening of its extensively renovated and expanded midtown
Following on from her textile hit Slow Stitch, author Claire Wellesley-Smith considers the importance of connection and ideas around wellbeing when using textiles for individuals and communities. Resilient Stitch covers practical ideas around 'thinking-through-making,' using resonant materials, and