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Stefan Sagmeister’s newest project encourages long-term thinking and reminds us that many things in the world are improving Initially conceived in 2020 as the world entered pandemic lockdown, Stefan Sagmeister has created a book that looks at the state of the world today, illuminating, through collected data, how far we’ve come, and encouraging us to think about where we can go from here. Statistics are vividly brought to life, as numbers are transformed into graphs, inlaid into nineteenth-century paintings, embroidered canvases, lenticular prints, and hand-painted water glasses. The book includes a foreword from psychologist and leading authority on language and the mind, Steven Pinker; a featured essay by graphic designer and historian Steven Heller; and a conversation between Sagmeister and Hans Ulrich Obrist, curator and artistic director of Serpentine Galleries in London and will appeal to all visually minded readers, providing a positive reaction to the tumultuous news cycle of recent years. Published in softcover with flaps Now is Better is contained within a die-cut slipcase and accompanied by a lenticular print designed by Sagmeister. Now is Better is an intriguing and thoughtful visual meditation on our daily lives.
Stefan Sagmeister’s newest project encourages long-term thinking and reminds us that many things in the world are improving Initially conceived in 2020 as the world entered pandemic lockdown, Stefan Sagmeister has created a book that looks at the state of the world today, illuminating, through
If you think the world is coming to an end, think again: people are living longer, healthier, freer, and happier lives, and while our problems are formidable, the solutions lie in the Enlightenment ideal of using reason and science. Is the world really falling apart? Is the ideal of progress
The coveted Annie Leibovitz SUMO is now available in an unlimited XXL edition. Drawing on more than 40 years of work, including photojournalism made for Rolling Stone magazine in the 1970s and conceptual portraits for Vanity Fair and Vogue, Leibovitz selected iconic images and also photographs that