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Marking the 100-year anniversary of women's suffrage, Leslie Hill provides a fascinating survey of the history of first wave feminism in British theatre, from the London premiere of Ibsen's A Doll's House in 1889 through the militant suffrage movement. Hill's approachable overview explores some of the pivotal ways in which theatre makers both engaged with and influenced feminist discourse on topics such as sexual agency, reproductive rights, marriage equality, financial independence and suffrage.
Clear and concise, this is an ideal resource for undergraduate and postgraduate students of theatre and performance studies taking courses on Women in Theatre and Performance, Staging Feminism, Early Feminist Theatre, Theatre and Suffrage, Gender and Theatre, Political Theatre and Performance Historiography. This text will also appeal to scholars, lecturers, and
In the first major academic work to examine British variety theatre, Double provides a detailed history of this art form and analyses its performance dynamics and techniques. Encompassing singers, comedians, dancers, magicians, ventriloquists and diverse speciality acts, this vibrant book draws on
Applied Theatre: Performing Health and Wellbeing is the first volume in the field to address the role that theatre, drama and performance have in relation to promoting, developing and sustaining health and wellbeing in diverse communities. Challenging concepts and understanding of health, wellbeing
Focusing on examples from medieval theatre, women's suffrage campaigns, and the 2012 Olympics Opening Ceremony, this is the first book to offer a critical overview of pageant as a dramatic form. By enacting highly selective historical episodes, pageants manipulate audiences' sense of the past
According to figures from the Centre for Women and Democracy, the percentage of female MPs elected on May 6th, 2010 had risen to only 21.5% of the total - about a dozen extra women in the Commons. At a time when many are reluctant to adopt the label 'feminist', and when the movement towards proper
Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic
A founding text of transnational feminism For twenty-five years, Feminism and Nationalism in the Third World has been an essential primer on the late nineteenth- and early twentieth-century history of women's movements in Asia and the Middle East. In this engaging and well-researched survey,
With compassion and charisma, Nagra explores the impact of the first wave of mass migration to our shores, the Arab Spring, the allure of extremism along with a series of personal poems about the pressures of growing up in a traditional
Audiences for musical theater are predominantly women, yet shows are frequently created and produced by men. Onstage, female characters are depicted as victims or sex objects and lack the complexity of their male counterparts. Offstage, women are under-represented among writers, directors,
1. The British Musical in Seven Stories.2. Nation - Mythologies and Modernity.3. Femininity - Cinderella's and Caretakers.4. Manliness - Domesticity and Defence.5. Empire - Ornamentalism and Orientalism.6. Conflict - Continuity and Change.7. Peace - Nostalgia and Nationhood.8. The English
First performed at Edinburgh's Royal Lyceum Theatre, the first stage play from the SUNDAY TIMES No.1 bestselling author of A SONG FOR THE DARK
Understanding macroeconomic developments and policies in the twenty-first century is daunting: policy-makers face the combined challenges of supporting economic activity and employment, keeping inflation low and risks of financial crises at bay, and navigating the ever-tighter linkages of
The battle for Burma was the longest and bloodiest campaign fought by the British in the Second World War. John Hill, one of the few men to survive the entire campaign, shares the personal experiences of men who fought against the merciless Japanese Army, painting a vivid picture of what it was
Theatre and theatregoing was central to the cultural life of later eighteenth-century Britain. In this engaging work, Jean I. Marsden explores the playhouse as a source of emotion during a period when the ability to feel demonstrated moral worth. Using first-hand accounts, reviews, and
Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated 'Negro Units' set up under the FTP, African American artists took on theatre work usually reserved
Written in 1941 this book remians the longest-running comedy in the history of the British theatre for three
For the first time, this play - first performed in 2012 at the National Theatre - is published in the Methuen Drama Student Edition series. It features commentary & notes by Nicholas Holden, Lecturer in Drama at the University of Greenwich, UK, that help the student unpack the play's social,
A re-assessment of the Gothic in relation to the female, the 'feminine', feminism and post-feminism This collection of newly commissioned essays brings together major scholars in the field of Gothic studies in order to re-think the topic of 'Women and the Gothic'. The 14 chapters in this volume
Working in partnership with the National Theatre, these playscripts bring the theatre alive in the classroom. Each play has been carefully selected for maximum impact, the activities and teaching support are underpinned by trusted National Theatre strategies and approaches, and the performance
Much has changed since Camille Paglia first burst onto the scene with her groundbreaking Sexual Personae, but the laser-sharp insights of this major American thinker continue to be ahead of the curve--not only capturing the tone of the moment but also often anticipating it. Opening with a blazing
This incisive and thoughtful new title in the Theatre And series confronts the difficult relationship between theatre and cancer. It explores representations of cancer in fictional worlds and autobiographical performances while also highlighting work that reimagines and reinvigorates the genre of