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Emily Dickinson wrote a 'letter to the world' and left it lying in her drawer more than a century ago. This widely admired epistle was her poems, which were never conventionally published in book form during her lifetime. Since the posthumous discovery of her work, general readers and literary scholars alike have puzzled over this paradox of wanting to communicate widely and yet apparently refusing to publish. In this pathbreaking study, Martha Nell Smith unravels the paradox by boldly recasting two of the oldest and still most frequently asked questions about Emily Dickinson: Why didn't she publish more poems while she was alive? and Who was her most important contemporary audience?
Regarding the question of publication, Smith urges a reconception of the act of publication itself. She argues that Dickinson did publish her work in letters and in forty manuscript books that
Emily Dickinson wrote a 'letter to the world' and left it lying in her drawer more than a century ago. This widely admired epistle was her poems, which were never conventionally published in book form during her lifetime. Since the posthumous discovery of her work, general readers and literary
For the first time, selections from Emily Dickinson's thirty-six year correspondence to her neighbor and sister-in-law, Susan Huntington Dickinson, are compiled in a single volume. Open Me Carefully invites a dramatic new understanding of Emily Dickinson's life and work, overcoming a century of
On August 3, 1845, young Emily Dickinson declared, 'All things are ready' and with this resolute statement, her life as a poet began. Despite spending her days almost entirely 'at home' (the occupation listed on her death certificate), Dickinson's interior world was extraordinary. She loved
When Emily Dickinson died in 1886, having published only a tiny selection of her verse anonymously in journals and newspapers, she left behind a chest containing almost 1,800 poems written on notebooks and loose sheets. Her family members, starting with her sister Lavinia, began editing and
In this new edition Paula Bennett surveys other analysis by critics of Dickinson's work, and the conundrums these have raised. It is a work of extraordinary finesse which offers a full-length study which integrates the poet's homoeroticism into an interpretation of her
Ben spends the holidays with his nose in the sand and bottom in the air. It's because he's got a great idea for his wildlife project. A competition is on! The class projects are going to be judged by a famous TV wildlife presenter, and the prize is irresistible. Ben would love to win it, but
In the North Pacific Ocean lives a monster made of trash, A hungry, greedy meanie with a handlebar moustache. And though his name is Garbage Guts, he's often called Big G. He blobs about destroying all the oceans and the seas. Garbage Guts is determined to have the ocean all for himself, and
To do this she visits remarkable people and places, such as a tight-knit fishing village in the Chesapeake Bay, a dinner where young people gather to share their experiences of profound loss, and a drug kingpin who finds his purpose in helping people get