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In 1931, thanks to the help of Jacqueline Apollinaire, a young Albert Skira, only 25 years old and upon the suggestion of Pierre Matisse, convinced Pablo Picasso to illustrate Ovid’s Metamorphoses with 30 etchings. The exceptional edition, in only 145 copies, was the first publication of the new-born Skira, and was soon followed by the Poems of Mallarmé with 29 original etchings by Henri Matisse and Les Chants de Maldoror illustrated by Salvador Dalí with 42 etchings.For the 90th anniversary of the publishing house, in agreement with the Picasso Estate, Skira issued an anastatic copy of the work, slightly different in format. The volume boasts 412 pages including the etchings both in (15) and outside the text (15).The facsimile is perfect. The volume is in 24 x 30.5 cm format, it is a hardcover edition with paper foil stamping, just like the first edition in 1931. The work is contained in a box that, with the Metamorphoses, also bears an illustrated brochure narrating the birth and history of this legendary volume.Ovid’s Metamorphoses in 11,995 verses and 15 books gather and re-elaborate over 250 Greek myths. Thet have been called an “encyclopaedia of classical mythology”.Picasso’s etchings out of the text, focused on 15 myths, are of rare uniformity, in a style with clean edges and discrete eroticism. Instead, the etchings found at the start of the chapters do not relate to the text and portray faces, nude studies and a delightful litotes of the female body (27th etching).The book was printed on Picasso’s 50th birthday and was described by Christian Zervos as being “of almost Doric beauty”.The anastatic copy is, like the original edition, in French, with an introduction text in English.
In 1931, thanks to the help of Jacqueline Apollinaire, a young Albert Skira, only 25 years old and upon the suggestion of Pierre Matisse, convinced Pablo Picasso to illustrate Ovid’s Metamorphoses with 30 etchings. The exceptional edition, in only 145 copies, was the first publication of the
Ovid (Publius Ovidius Naso, 43 BCE-17 CE), born at Sulmo, studied rhetoric and law at Rome. Later he did considerable public service there, and otherwise devoted himself to poetry and to society. Famous at first, he offended the emperor Augustus by his Ars Amatoria, and was banished because of
Ovid (Publius Ovidius Naso, 43 BCE-17 CE), born at Sulmo, studied rhetoric and law at Rome. Later he did considerable public service there, and otherwise devoted himself to poetry and to society. Famous at first, he offended the emperor Augustus by his Ars Amatoria, and was banished because of
Ovidius se svým Umění milovat a nemilovat je tu pro vás, kteří láskou žijete, koříte se jí, slastně stoupáte k jejím vrcholům i riskujete zničující pád. V Ovidiovi najdete - muži i ženy - zasvěceného průvodce tajemstvím lásky i podnět a inspiraci, kde a jak lásku hledat,
In 'The Metamorphoses', Ovid draws on Greek mythology, Latin folklore, and tales from Babylon and the East to create a series of narrative poems, linked by the common theme of transformation. This is Arthur Golding's 16th-century translation of the
Audiokniha: Komentář k původnímu albu DV 15297 Supraphonu z roku 1967: | V kolikatisícovém nákladu by musely vyjít Ovidiovy milostné sbírky, aby se uspokojila touha čtenářů mít vlastní výtisk líbezného Ovidia! Ovidius je básník, který nestárne, poněvadž nestárne ani láska,
Ovid's sensuous and witty poem, in an accessible translation by David Raeburn In Metamophoses, Ovid brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation--often as a result of love or lust--where men and women find themselves magically changed into
Audiokniha: Ovidiův dva tisíce let starý text dává rady mužům a ženám, kterak lásku získat a udržet si ji. | Recitují Irena Kačírková a Miloš Kopecký
Metamorphoses--the best-known poem by one of the wittiest poets of classical antiquity--takes as its theme change and transformation, as illustrated by Greco-Roman myth and legend. Melville's new translation reproduces the grace and fluency of Ovid's style, and its modern idiom offers a fresh
Ovid's Metamorphoses is one of the most influential works of Western literature, inspiring artists and writers from Titian to Shakespeare to Salman Rushdie. These are some of the most famous Roman myths as you've never read them before--sensuous, dangerously witty, audacious--from the fall of Troy
Presents a selection of stories from Ovid's Metamorphoses, the most famous and influential collection of Greek and Roman myths in the world. It includes well-known stories like those of Daedalus and Icarus, Pygmalion, Narcissus and King Midas. The book is designed for those who have completed an
Mary Innes's classic prose translation of one of the supreme masterpieces of Latin literature 'The most beautiful book in the language (my opinion and I suspect it was Shakespeare's).' -Ezra Pound Ovid drew on Greek mythology, Latin folklore and legend from ever further afield to create a series
Ovid's sequence of fifteen witty and playful poems sketches the history of the world from its creation to the poet's own time through a series of transformation myths in which gods and goddesses succumb to all-too-human passions, not least in the matter of
Ovid is a poet to enjoy, declares William S. Anderson in his introduction to this textbook. And Anderson's skillful introduction and enlightening textual commentary will indeed make it a joy to use. In these books Ovid begins to leave the conflict between men and the gods to concentrate on the
Ovid's epic poem--whose theme of change has resonated throughout the ages--is one of the most important texts of Western imagination, an inspiration from Dante's time to the present, when writers such as Salman Rushdie and Italo Calvino have found a living source in Ovid's work. The text is
Vivam is the very last word of Ovid's masterpiece, the Metamorphoses: I shall live. If we're still reading it two millennia after Ovid's death, this is by definition a remarkably accurate prophecy. Ovid was not the only ancient author with aspirations to be read for eternity, but no poet of the
In fierce, textured voices, the women of Ovid's Metamorphoses claim their stories and challenge the power of mythI am the home of this story. After thousands of years of other people's tellings, of all these different bridges, of words gotten wrong, I'll tell it myself. Seductresses and
Ovid's epic poem--whose theme of change has resonated throughout the ages--is one of the most important texts of Western imagination, an inspiration from Dante's times to the present day, when writers such as Salman Rushdie and Italo Calvino have found a living source in Ovid's work. Charles Martin
Ovid's deliciously clever and exuberant epic, now in a gorgeous new clothbound edition designed by the award-winning Coralie Bickford-Smith. These delectable and collectable editions are bound in high-quality, tactile cloth with foil stamped into the design.Ovid's sensuous and witty poetry brings
Kniha U nás v lese: Dlouhé leporelo:Dlouhé leporelo s veselými obrázky z lesa doplněnými jednoduchým naučným textem
Dlhé leporelo s veselými obrázkami z lesa, ktoré dopĺňa jednoduchý náučný popis
Kniha Zvířata našich lesů :S pomocí 12 tlačítek zažijeme kouzelnou atmosféru lesa, polí a parků a poslechneme si živočichy, kterým patří svět, když se pomaloučku, polehoučku začne stmívat a my se ukládáme k spánku. Slavík, sýček, jelen a liška… tím naše
Hurá do lesa! | | 7 příběhů k předčítání a pro dobrou náladu na 7 dní v týdnu pro děti od 4 let. | Sourozenci Frída a Benjamín bydlí v hájovně s maminkou Andreou, tatínkem Štěpánem a nezbedným jezevčíkem. A život v lese nabízí spoustu dobrodružství