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In 1849, Dostoevsky was sentenced to four years at hard labor in a Siberian prison camp for participating in a socialist discussion group. The novel he wrote after his release, based on notes he smuggled out, not only brought him fame, but also founded the tradition of Russian prison writing. Notes from a Dead House (sometimes translated as The House of the Dead) depicts brutal punishments, feuds, betrayals, and the psychological effects of confinement, but it also reveals the moments of comedy and acts of kindness that Dostoevsky witnessed among his fellow prisoners. To get past government censors, Dostoevsky made his narrator a common-law criminal rather than a political prisoner, but the perspective is unmistakably his own. His incarceration was a transformative experience that nourished all his later works, particularly Crime and Punishment.
In 1849, Dostoevsky was sentenced to four years at hard labor in a Siberian prison camp for participating in a socialist discussion group. The novel he wrote after his release, based on notes he smuggled out, not only brought him fame, but also founded the tradition of Russian prison writing
In this almost documentary account of his own experiences of penal servitude in Siberia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their
The House of the Dead recounts the story of Alexander Goryanchikov, a gentleman who is sent to a prison colony in Siberia for killing his wife. Largely ignored at first by his fellow inmates due to his noble blood, he gradually settles in and becomes an avid observer of the new world around him -
Dostoevsky's most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has
One of the most profound and disturbing works of nineteenth-century literature, Notes from the Underground is a probing and speculative work, often regarded as a forerunner to the Existentialist movement. The Gambler explores the compulsive nature of gambling, one of Dostoevsky's own vices and a
In June 1862, Dostoevsky left Petersburg on his first excursion to Western Europe. Ostensibly making the trip to consult Western specialists about his epilepsy, he also wished to see firsthand the source of the Western ideas he believed were corrupting Russia. Over the course of his journey he
Dostoevsky was writing at a time when Russia had reason to be optimistic, but the warning signs in his fiction perhaps leave us clues as to why Russia still has social problems today - and why, less than 40 years after Dostoevsky's death, Russia embraced Communism and destroyed the society in which
Crime and Punishement ('Prestuplenie i nakazanie') by Fyodor Dostoevsky in
'Here was the house of the living dead, a life like none other upon earth'In January 1850 Dostoyevsky was sent to a remote Siberian prison camp for his part in a political conspiracy. The four years he spent there, startlingly re-created in The House of the Dead, were the most agonizing of his
Accused of political subversion as a young man, Fyodor Dostoyevsky was sentenced to four years of hard labor at a Siberian prison camp -- a horrifying experience from which he developed this astounding semi-autobiographical memoir of a man condemned to ten years of servitude for murdering his
From the author of the definitive biography of Fyodor Dostoevsky, never-before-published lectures that provide an accessible introduction to the Russian writer's major works Joseph Frank (1918-2013) was perhaps the most important Dostoevsky biographer, scholar, and critic of his time. His
Collected here in Penguin Classics are two of Fyodor Dostoyevsky's shorter works, Notes from Underground and The Double, translated by Ronald Wilks with an introduction by Robert Louis Jackson. Alienated from society and paralysed by a sense of his own insignificance, the anonymous narrator of
The Idiot (1868), written under the appalling personal circumstances Dostoevsky endured while travelling in Europe, not only reveals the author's acute artistic sense and penetrating psychological insight, but also affords his most powerful indictment of a Russia struggling to emulate contemporary
Constantly rebuffed from the social circles he aspires to frequent, the timid clerk Golyadkin is confronted by the sudden appearance of his double, a more brazen, confident and socially successful version of himself, who abuses and victimizes the original. As he is increasingly persecuted,
Crime and Punishment, The Brothers Karamazov, Demons, The Idiot--the complex and prolific Fyodor Dostoevsky (1821-81) is responsible for some of our greatest literary works and most fascinating characters. Praised by the likes of Ernest Hemingway, James Joyce, and Virginia Woolf, he is also
Poverty-stricken and cut off from society, former law student Rodion Romanovich Raskolnikov leads a desolate life in a dreary little room in St Petersburg. Having abandoned all hopes of sustaining himself through work, he now obsesses over the idea of changing his fortunes through an extreme act of
Published to great acclaim and fierce controversy in 1866, Fyodor Dostoevsky's Crime and Punishment has left an indelible mark on global literature and on our modern world. Declared a PBS 'Great American Read,' Michael Katz's sparkling new translation gives new life to the story of Raskolnikov, an
As ideological ferment grips Russia, a small group of revolutionaries, led by Pyotr Verkhovensky and inspired by Nikolai Stavrogin, plan to spread destruction and anarchy throughout the country. Morally bankrupt, they are prepared to use whatever means necessary to achieve their goal, including