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These seven stories were the last that Carver wrote. Among them is one of his longest, 'Errand', in which he imagines the death of Chekhov, a writer Carver hugely admired and to whose work his own was often compared. This fine story suggests that the greatest of modern short-story writers may, in the year before his untimely death, have been flexing his muscles for a longer work.
Among them is one of his longest, 'Errand', in which he imagines the death of Chekhov, a writer Carver hugely admired and to whose work his own was often compared. This fine story suggests that the greatest of modern short-story writers may, in the year before his untimely death, have been flexing
Raymond Carver said it was possible 'to write about commonplace things and objects using commonplace but precise language and endow these things - a chair, a window curtain, a fork, a stone, a woman's earring - with immense, even startling power'. Nowhere is this alchemy more striking than in the
Raymond Carver, who became a master-storyteller of his generation and was hailed in Europe as 'the American Chekhov', wrote of himself: 'I began as a poet. For readers who know Carver's middle period only through his selected poems, In a Marine Light (1988), it includes the windfall of 51 poems not
When he died in August 1988, Raymond Carver had just published what were thought to be his last stories in the collection entitled Elephant and his own collection of stories, Where I'm Calling from. Five previously unpublished stories have recently been discovered, and this new volume brings
With this, his first collection, Carver breathed new life into the short story. In the pared-down style that has since become his hallmark, Carver showed how humour and tragedy dwell in the hearts of ordinary people, and won a readership that grew with every subsequent brilliant collection of
What We Talk About When We Talk About Love is Carver's most famous collection of short stories and remians one of the most influential pieces of modern literature to
'I look at all of Carver's work as just one story, for his stories are all occurences, all about things that just happen to people and cause their lives to take a
Shortly before he died, America's laureate of the dispossessed made his own selection from his short stories. This edition includes a selection from the full range of the author's work including, Furious Seasons, Will You Please Be Quiet, Please?, What We Talk about When We Talk about Love, and
Takto by se v roce 1981 jmenovala a takto by vypadala druhá velká Carverova sbírka, kdyby ji redaktor Gordon Lish autorovi neseškrtal, nepřepsal a nepřejmenoval na „O čem mluvíme, když mluvíme o lásce“. Zachovala se korespondence obou pánu, ze které vyplývá, že se Carver velmi
Selected by the Modern Library as one of the 100 best novels of all time Before Raymond Carver, John Cheever, and Richard Ford, there was Sherwood Anderson, who, with Winesburg, Ohio, charted a new direction in American fiction--evoking with lyrical simplicity quiet moments of epiphany in the lives
Raymond Carver called Anton Chekhov 'the greatest short story writer who has ever lived.' This unequivocal verdict on Chekhov's genius has been echoed many times by writers as diverse as Katherine Mansfield, Somerset Maugham, John Cheever and Tobias Wolf. While his popularity as a playwright has
Výbor z poezie s doslovem a básněmi Tess Gallagherové, autorovy druhé manželky. Americký spisovatel R. Carver (1939-1988) proslul především jako autor povídek, s nimiž se už český čtenář měl možnost seznámit. Sám Carver si však více než povídek cenil své básnické
Třetím svazkem pětidílného českého vydání všech povídek legendárního amerického spisovatele je sbírka Katedrála, Carverova kniha nejuznávanější, a to nejen díky slavné titulní povídce. Autor se v této sbírce z roku 1983 vymanil z vlivu svého redaktora a vymínil si, že