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A fascinating examination of Munch’s prints, which were central to his creative process and established his reputation as an artist Edvard Munch (1863–1944) is best known today as a painter, but his reputation was in fact established through his prints, which were central to his creative process. His printmaking was experimental and innovative, and he continually revisited the subjects of his paintings in striking prints, in which he evoked a wide range of emotion and mood through the use of varied techniques. Munch’s early life in the industrial town of Kristiania (renamed Oslo in 1925) was marked by sickness and poverty. His first works centred on the expression of deep emotional experiences, specifically the deaths of his mother and teenage sister, as well as passionate yet unhappy love affairs of which his deeply religious father disapproved. Encouraged by his encounters with a Bohemian society of artists, writers and poets, he developed a visual landscape that was a radical deviation from the slick society portraits and grand Scandinavian landscapes then so much in vogue. His efforts attracted considerable attention and much criticism, and he practised with little financial success as a painter for ten years before he started to gain his reputation as a profoundly innovative printmaker. Written by a team of experts, and with an interview by writer Karl Ove Knausgaard, this book will shed new light on the production of some of Munch’s most remarkable works. Contents List Foreword by the directors of the British Museum and the Munch Museum; Sponsor’s foreword • Introduction • 1. Transfigured continent: Impressions from Munch’s Europe • 2. The inner soul of an artist: Munch’s background and the development of his Frieze of Life • 3. Munch and the world of printmaking • 4. Munch and the theatre in Paris • 5. ‘Is art influenced by too much business?’: Cultural capital and the market for Munch • 6. Plates, stones and blocks: Munch’s printing matrices • Reflections on Edvard Munch: an interview with Karl Ove Knausgaard • Checklist of works in the exhibition • Chronology; Checklist of exhibited items; Notes; Selected bibliography; Prints by Munch in UK public collections; Acknowledgments; Picture credits; List of contributors; Index
Edvard Munch (1863-1944), one of the most famous expressionist artists, is best known for The Scream. However, this was just one of the many haunting depictions of raw human emotion, which he fully developed in highly sophisticated prints.
Munch's youth was marked by sickness and poverty, and his early works centered around the expression of deep emotional experiences, specifically the deaths of his mother and teenage sister, as well as passionate yet unhappy love affairs of which his deeply religious father disapproved. Experimental and innovative, the style that Munch developed was a radical deviation from the nature of the society portraits and grand Scandinavian landscapes then in vogue. Continually revisiting the subjects of his paintings, Munch evoked a wide range of emotion and mood in his prints and strikingly large lithographs, partly by using an innovative
Produkt Edvard Munch: love and angst - Karl Ove Knausgaard, Giulia Bartrum má EAN kód 9780500480465.
Kategorie | Knihy, Mošty |
EAN | 9780500480465 |
A fascinating examination of Munch’s prints, which were central to his creative process and established his reputation as an artist Edvard Munch (1863–1944) is best known today as a painter, but his reputation was in fact established through his prints, which were central to his creative
An authoritative new publication that revisits Munch’s work in its entirety. Edvard Munch occupies a pivotal place in artistic modernity. His work is permeated by a singular vision of the world, with a powerful symbolist dimension that goes beyond the masterpieces he created in the 1890s,
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