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Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own
Produkt Camera Lucida - Reflections on Photography (Barthes Roland)(Paperback / softback) je označen EAN kódem 9780099225416.
Kategorie | Knihy |
EAN | 9780099225416 |
Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an
An essential guide to an essential book, this first anthology on Camera Lucida offers critical perspectives on Barthes's influential text.Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for
The only autobiography by the great Roland Barthes, philosopher, literary theorist and semiotician. This is the autobiography of one of the greatest minds of the twentieth
An introduction to the thinking of the French intellectual, Roland Barthes, as applied to such diverse topics as Gide, Garbo, striptease, photography and the Eiffel Tower. The pieces in this collection were written over a period of three
Fashion never ceases to interest psychologists, aestheticians and sociologists. Roland Barthes, however, examined fashion from a new point of view. In his endeavour to confine his love, outrage and passion for fashion to a system, Barthes created a work of literature that is witty, humane, personal
First published in 1977, Roland Barthes by Roland Barthes is the great literary theorist's most original work--a brilliant and playful text, gracefully combining the personal and the theoretical to reveal Roland Barthes's tastes, his childhood, his education, his passions and
Roland Barthes o Rolandu Barthesovi je klíčovou prací Barthesova středního období. Sestává se ze sledu stylizovaných biografických fragmentů, ve kterých se úvahy o vlastní subjektivitě a tělesnosti prolínají s teoretickým myšlením. Vymezuje se zde tak oblast psaní a
A Lover's Discourse, at its 1978 publication, was revolutionary: Roland Barthes made unprecedented use of the tools of structuralism to explore the whimsical phenomenon of love. Rich with references ranging from Goethe's Werther to Winnicott, from Plato to Proust, from Baudelaire to Schubert, A
'Barthes' purpose is to tear away masks and demystify the signs, signals and symbols of the language of mass culture' The TimesIn this magnificent and often surprising collection of essays Barthes explores the myths of mass
Introducing Barthes brilliantly elucidates Roland Barthes application of semiotics to literature, popular culture, clothes, and fashion, and explains why his thinking in this area made him a key figure in the structuralist movement of the
No denunciation without its proper instrument of close analysis, Roland Barthes wrote in his preface to Mythologies. There is no more proper instrument of analysis of our contemporary myths than this book--one of the most significant works in French theory, and one that has transformed the way
Roland Barthes was the leading figure of French Structuralism, the theoretical movement of the 1960s which revolutionized the study of literature and culture, as well as history and psychoanalysis. But Barthes was a man who disliked orthodoxies. His shifting positions and theoretical interests make
Album provides an unparalleled look into Roland Barthes's life of letters. It presents a selection of correspondence, from his adolescence in the 1930s through the height of his career and up to the last years of his life, covering such topics as friendships, intellectual adventures, politics, and
Matka byla v životě spisovatele a filozofa Rolanda Barthese tou nejdůležitější postavou. Den po její smrti, 25. října 1977, si začal vést Deník smutku. Psal jej perem, někdy tužkou, na papírové lístky (papír rozstříhaný na čtvrtiny), které potřeboval mít neustále na
An ecstatic celebration of love and language' Washington PostThe language we use when we are in love is not a language we