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Composed toward the end of the first millennium, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and dies in old age in a vivid fight against a dragon. The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath. In the contours of this story, at once remote and uncannily familiar at the beginning of the twenty-first century, Nobel laureate Seamus Heaney finds a resonance that summons power to the poetry from deep beneath its surface. Drawn to what he has called the 'four-squareness of the utterance' in Beowulf and its immense emotional credibility, Heaney gives these epic qualities new and convincing reality for the contemporary
Composed toward the end of the first millennium, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and dies in old age in a vivid
Composed toward the end of the first millennium, Beowulf ?is the elegiac narrative of the Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. Drawn to what he has called the 'four-squareness of the utterance' in ?Beowulf ?and its
Of unknown date, and surviving in a tenth-century manuscript, Beowulf is the tale of a young Geatish hero and his struggle with three deadly foes, beginning with the dread monster Grendel, who has been devouring warriors in the hall of the Danish King in their sleep. The most important Old English
Beowulf, composed between the seventh and tenth century, is the elegaic narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel, and, later, from Grendel's
Composed towards the end of the first millennium of our era, the Anglo-Saxon poem 'Beowulf' is a Northern epic and a classic of European literature. In this new translation, Seamus Heaney has produced a work that is true, line by line, to the original
A work of unreconciled Shakespearean intensity, the Testament has been translated by Seamus Heaney into a confident and yet faithful modern English idiom which honours the poem's unique blend of detachment and compassion.A master of narrative, Henryson was also a comic master of the verse
'Alexander's translation is marked by a conviction that it is possible to be both ambitious and faithful [and] ...communicates the poem with a care which goes beyond fidelity-to-meaning and reaches fidelity of implication. May it go on ... to another half-million copies.' - Tom Shippey, Bulletin of
This volume is a much-needed new selection of Seamus Heaney's work, taking account of recent volumes and of the author's work as a translator, and offering a more generous choice from previous
Seamus Heaney defines the title of this work of criticism as follows: 'To redress poetry is to know and celebrate it for its forcibleness as itself . . . not only as a matter of profferd argument and edifying content but as a matter of angelic potential, a motion of the soul.' Throughout this
This reprint of Morgan's popular and well-respected 1952 modern English translation of the Anglo-Saxon epic captures a taut expression of the poem's themes of danger, voyaging, displacement, loyalty, and loss. Morgan provides a fluid, modern voice from this medieval masterwork while retaining a
'Seamus Heaney has gone beyond the themes of his earlier poetry and has made the giant step towards the most ambitious, most intractable themes of
The new edition, which like the original has had the advantage of Seamus Heaney's own cooperation and unstinted access to the poet's papers, follows the same pattern, adding a chapter apiece on the major collections of poems published since 1986, as well as separate discussions of Heaney's work as
This volume contains a selection of work from each of Seamus Heaney's published books of poetry up to and including the Whitbread prize-winning collection, The Haw Lantern (1987). 'His is 'close-up' poetry - close up to thought, to the world, to the
Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies, but no book-length portrait has appeared before now. Through his own lively and eloquent reminiscences, Stepping Stones retraces Heaney's steps from his first exploratory testing of the
Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical
Selected poems from a Nobel laureateSeamus Heaney had the idea to make a personal selection of poems from across the entire arc of his writing life, a collection small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this himself, but now, finally, the
A version of Sophocles' Philoctetes that tells of the wounded hero marooned upon an island by the Greeks during the Siege of Troy. As the conflict comes to a climax, the Greeks begin to realise they cannot win the Trojan war without Philoctetes' invincible bow, and turn back to seek his
New York Times bestseller'A thrill . . . Beowulf was Tolkien's lodestar. Everything he did led up to or away from it.' --New Yorker J.R.R. Tolkien completed his translation of Beowulf in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication
Seamus Heaney had the idea to form a personal selection of poems from across the entire arc of his writing life, small yet comprehensive enough to serve as an introduction for all comers. But now, finally, the project has been returned to, resulting in an intimate gathering of poems chosen and
Widely praised on its first publication in 1987, The Haw Lantern ventured into new imaginative territory with poems exploring the theme of loss - including a celebrated sonnet sequence concerning the death of the poet's mother - joined by meditations on the conscience of the writer and exercises in
R.M. Liuzza's translation of Beowulf, first published by Broadview in 1999, has been widely praised for its accuracy and beauty. The facing-page translation is accompanied in this edition by genealogical charts, historical summaries, and a glossary of proper names. Historical appendices include
This collection of Seamus Heaney's work, especially in the series of 12-line poems entitled 'Squarings', shows he is ready to re-imagine experience and 'to credit marvels'. The title poem is typical in that it begins with memories of an actual event, then moves towards the
For the fortieth anniversary of its publication, in May 2006, Faber are reissuing Seamus Heaney's classic first collection, Death of a Naturalist, which on its appearance in 1966 won the Cholmondeley Award, the
'Sweeney Astray' is Seamus Heaney's version of the medieval Irish work 'Buile Suibhne'. Its hero, Mad Sweeney, undergoes a series of purgatorial adventures after he is cursed by a saint and turned into a demented flying creature at the Battle of