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Produkt Art of Stopping Time (Shojai Pedram)(Pevná vazba) je označen EAN kódem 9780718189181.
Kategorie | Knihy |
EAN | 9780718189181 |
Audiokniha: Východní moudrost a moderní zkratky k zastavení času a nalezení úspěchu, štěstí a klidu. V této mimořádné knížce nachází tolik čtenářů odpovědi na svoje problémy, že rozhodně nepřekvapuje její ohromný úspěch. Autor, Američan indického původu,
In the heart-stopping finale to the Crown of Feathers trilogy, which #1 New York Times bestselling author Kendare Blake calls 'absolutely unforgettable,' Veronyka must face her most devastating enemy yet: her own sister. I had a sister, once... Veronyka is no longer an orphaned stable boy or a
As calendars and almanacs developed, art from their specific time and place was naturally introduced. In this new book, the acclaimed author Alexandra Harris has gathered together some of the work that has gone into almanacs, from the eigth century onwards, bringing in everything from Benedictine
Signs of Our Times: From Calligraphy to Calligraffiti covers six decades of an art trend led by artists from the Arab world and Iran. Starting in the early 1950s, this alternative and original approach to modernism began with artists who took inspiration from their own cultural sources and combined
The heart-stopping third installment in the New York Times bestselling Shatter Me series, which Ransom Riggs, author of Miss Peregrine's Home for Peculiar Children and Hollow City, called 'a thrilling, high-stakes saga of self-discovery and forbidden love.'With Omega Point destroyed, Juliette
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A New York Times-bestselling author's personal examination of how the experiences, art, and disabilities of Frida Kahlo shaped her life as an amputee. At first sight of Frida Kahlo's painting The Two Fridas, Emily Rapp Black felt a connection with the artist. An amputee from childhood, Rapp Black
In a series of episodic chapters, he reconsiders from an innovative double perspective a number of key issues in the history of art, from iconoclasm and idolatry to installation and the museum as institution. He shows how the central tenets of modernism - serial production, site-specificity,