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Fotograf, spisovatel, vydavatel, a kurátor Alfred Stieglitz (1864-1946) byl vizionářem, který daleko předběhl svou dobu. Na přelomu 19. a 20. století založil Photo-Secession, progresivní hnutí zabývající se postupujícími tvůrčími možnostmi fotografování. V roce 1903 začal vydávat Camera Work, avantgardní časopis věnovaný vyjadřovaní myšlenek v obrazech i slovech, na Photo-Secession. Camera Work byl první fotožurnál, jehož zaměření vylo více vizuální než technické a obsažené ilustrace byly v nejvyšší kvalitě vytvořené ručním hlubotiskem a tištěné na japonském tkáně. Tato kniha představuje všechny fotografie z 50-ti čísel časopisu.
Photographer, writer, publisher, and curator Alfred Stieglitz (1864-1946) was a visionary far ahead of his time. Around the turn of the 20th century, he founded the Photo-Secession, a progressive movement concerned with advancing the creative possibilities of photography, and by 1903 began publishing Camera Work, an avant-garde magazine devoted to voicing the ideas, both in images and words, of the Photo-Secession. Camera Work was the first photo journal whose focus was visual, rather than technical, and its illustrations were of the highest quality hand-pulled photogravure printed on Japanese tissue. This book brings together all photographs from the journal's 50
Produkt Alfred Stieglitz. Camera Work (Roberts Pam)(Pevná vazba) označuje EAN kód 9783836544078.
Kategorie | Knihy |
EAN | 9783836544078 |
Fotograf, spisovatel, vydavatel, a kurátor Alfred Stieglitz (1864-1946) byl vizionářem, který daleko předběhl svou dobu. Na přelomu 19. a 20. století založil Photo-Secession, progresivní hnutí zabývající se postupujícími tvůrčími možnostmi fotografování. V roce 1903 začal
Get closer and discover the world's finest selection of petite architecture. Including the work of Alphaville, Olson Kundig, BIG, Aranza de Arino, Takeshi Hosaka, and MAPA, this diverse collection of small but delicate houses proves that 100 square meters
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Lucian Freud (1922–2011) was interested in the telling of truth. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swellings
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