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The most comprehensive book on the principles, methods, and strategies vital to the creative art of film
The most comprehensive book on the principles, methods, and strategies vital to the creative art of film
Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic
The Conversations is a treasure, essential for any lover or student of film, and a rare, intimate glimpse into the worlds of two accomplished artists who share a great passion for film and storytelling, and whose knowledge and love of the crafts of writing and film shine through. It was on the set
'When a film is not a document, it is a dream. . . . At the editing table, when I run the strip of film through, frame by frame, I still feel that dizzy sense of magic of my childhood.' Bergman, who has conveyed this heady sense of wonder and vision to moviegoers for decades, traces his lifelong
There are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions. Filled with timeless principles and thought-provoking examples from a variety of international films, the second edition of Karen Pearlman's Cutting
This second edition of Cut by Cut: Editing Your Film or Video covers the current landscape of postproduction process, taking the reader step by step through the editor's journey from receiving dailies to delivering on film, tape, file, or disk for YouTube, cinema, Blu-ray, or TV. The book guides
Discover the 12 steps to dramatically better presentations 'This innovative book shows you how to get the thinking right so that your presentations are clear, engaging and impactful. An easy-to-follow process with big results. It has transformed the way my company approaches presentations.'
The Practical Guide to Documentary Editing sets out the techniques, the systems and the craft required to edit compelling professional documentary television and film. Working stage by stage through the postproduction process, author Sam Billinge explores project organization, assembling rushes,
Making Good Progress? is a research-informed examination of formative assessment practices that analyses the impact Assessment for Learning has had in our classrooms. Making Good Progress? outlines practical recommendations and support that Primary and Secondary teachers can follow in order to
The first-ever comprehensive examination of the film editor's craft from the beginning of cinema to the present day. Of all the film-making crafts, editing is the least understood. Using examples drawn from classic film texts, this book clarifies the editor's role and explains how the editing
Editing is what makes a movie a movie. Consulting with master film editors including Walter Murch, Juliette Welfling, Eddie Hamilton, and Anne V. Coates (whose insights and wisdom anchor the book), author Greg Loftin engagingly, smartly details the storytelling nuances and tricks screenwriters can
'An exceptionally vivid and penetrating insight into Hollywood film-making . . . Qualifies for that exclusive niche reserved for film star memoirs that are worth much more than a casual flick on the bookshop shelf' Jonathan Coe,
Peter Bradshaw's finest film reviews--the good, the bad, and the ugly. Peter Bradshaw is an excellent film reviewer for intelligent, curious filmgoers. He's a true journalist who has served as The Guardian's film critic for 20 years and who understands what his readers want to know. His reviews
With a new introduction from the author, this is the 25th anniversary edition of the Pulitzer prize-winning story of how the atomic bomb came to
Film Studies is a concise and indispensable introduction to the formal study of cinema. Ed Sikov offers a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active reader and
The Tactile Eye expands on phenomenological analysis and film theory in its accessible and beautifully written exploration of the visceral connection between films and their viewers. Jennifer M. Barker argues that the experience of cinema can be understood as deeply tactile-a sensuous exchange
Animation is one of the hottest and most creative areas of film-making today . During his more than 40 years in the business, Richard Williams has been one of the true innovators, and serves as the link between the golden age of animation by hand and the new computer animation successes.In this
A SUNDAY TIMES BESTSELLER, NOW A MAJOR FILM STARRING HELEN MIRREN AND IAN MCKELLENThis is a life told back to front.This is a man who has lied all his life.Roy is a conman living in a leafy English suburb, about to pull off the final coup of his career. He is going to meet and woo a beautiful woman
Understanding the fundamentals of conducting good science, that will have an impact, is the goal of every aspiring scientist. Providing a wealth of tips, How to be a Better Scientist is the book to read if you want to succeed in this competitive field. Helping readers gain an insight into what good
‘Brilliant and fascinating. No one is better at making the recondite accessible and exciting’ Bill Bryson Britain’s most famous mathematician takes us to the edge of knowledge to show us what we cannot know. | Is the universe infinite? Do we know what happened before the Big Bang? Where is
A one-stop film school, this book is packed with information, tips, techniques, and advice covering all aspects of filmmaking as gathered from the author's years of experience working in short films, features, commercials, and music videos, as well as delivering workshops and lectures to film
The Film Developing Cookbook, 2nd edition is an up-to-date manual for photographic film development techniques. This book concentrates on films, their characteristics, and the developers each requires for maximum control of the resulting image. For two decades The Film Developing Cookbook has
What is business for? Day one of a business course will tell you: it is to maximise shareholder profit. This single idea pervades all our thinking and teaching about business around the world but it is fundamentally wrong, Colin Mayer argues. It has had disastrous and damaging consequences for our