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Kismet [n.] /'kismet/ Destiny; Origin: 19th century: from Arabic, qisma 'division, portion, lot', qasama 'to divide'.Anna [n.] /'aene/ Journalist and Community Shed entrepreneur, rent-a-sheep developer; Having a glass of wine. Whether Kismet means destiny or division, Anna is about to test it to its very
Kismet [n.] /'kismet/ Destiny; Origin: 19th century: from Arabic, qisma 'division, portion, lot', qasama 'to divide'.Anna [n.] /'aene/ Journalist and Community Shed entrepreneur, rent-a-sheep developer; Having a glass of wine. Whether Kismet means destiny or division, Anna is about to test it to
In any case, she is living life to the full. With a big birthday just around the corner, an important new project at work, and a long-term boyfriend, Anna should feel like her life is falling into place. But will she embrace the life she has, or risk everything for the life she
Bestselling series Luke and Lottie celebrate the fall
'Luke is someone I trust implicitly with my hair.' Victoria Beckham 'From the moment Luke Hersheson cut off my long locks ... I finally began to undersand my own hair ... My friend Lauren Laverne began to call Hershesons 'The Happy Place'.' Sali Hughes'Full of his amazing advice. Only person who
An incredibly moving book from the Sunday Times bestselling author, Lucy Diamond. A story to break your heart and put it back together
When Lucy runs away from home, Kitty shows Lucy how to survive - where to find the best picnic leftovers in the park, and which trees makes the best beds. Lucy learns quickly and shows Kitty her own skills - befriending families to get free meals and singing beautiful melodies for the
Diary of a disciple: Luke's story is a contemporary retelling of Luke's gospel, aimed at encouraging 8-11 year olds to engage afresh with the good news. In a contemporary doodle style, Diary of a disciple aims to encourage children to interact with the stories they read, offering space for them to
Lucy Jane Santos presents the surprising history of radium in everyday
In this distinctive study, Nicholas Luke explores the abiding power of Shakespeare's tragedies by suggesting an innovative new model of his character creation. Rather than treating characters as presupposed beings, Luke shows how they arrive as something more than functional dramatis personae - how