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In 1955, Henri Cartier-Bresson, one of the twentieth century’s most influential and original photographers, published 'The Europeans'. His portrait of the continent showed a landscape shadowed by war, where many still lived among ruins and bore the marks of hunger. For this book, first published forty-five years later, he brought together a far broader range of images, from the late 1920s to the early 1990s. Cartier-Bresson had travelled across Europe, from Scandinavia to Ireland, to capture what it means to be European. Beyond nationalism and the particular characteristics of each nation, he found evidence of a greater identity, a family likeness shared by the people and the landscape. We see them at work, in the streets, travelling and gossiping. Sometimes they are lone figures; a photograph may show only a single gaze, a glimpse of a face. Often, however, Cartier-Bresson turns his camera to couples, mirrored individuals, linked solitudes or crowds, gathering to celebrate or to protest. Unified by the clarity and compassion of his vision, Cartier-Bresson’s photographs speak of the ongoing business of living for people across Europe. Jean Clair was formerly the Director of the Musée Picasso in Paris, and has published numerous works on contemporary art and aesthetics.
Henri Cartier-Bresson travelled across Europe, from the Scandinavian shield to the Irish bogs, in order to produce this collection of photographs. It brings together images spanning the years from the late 1920s to the early 1970s, and seeks to capture what it means to be
In 1955, Henri Cartier-Bresson, one of the twentieth century’s most influential and original photographers, published 'The Europeans'. His portrait of the continent showed a landscape shadowed by war, where many still lived among ruins and bore the marks of hunger. For this book, first published
Henri Cartier-Bresson (1908-2004) studied painting before taking up photography in his early twenties. One of the founders of the photography agency Magnum (together with Robert Capa and others), he is best known for the skill with which he captured the most fleeting of scenes. This volume includes
Cartier-Bresson by Cartier-Bresson: the photographer's 'master set' survey of his career, presented for the first time alongside selections by Annie Leibovitz, Wim Wenders and othersIn the early 1970s, at the request of his friends and collectors John and Dominique Menil, Henri Cartier-Bresson went
Henri Cartier-Bresson's writings on photography and photographers have been published sporadically over the past 45 years. His essays--several of which have never before been translated into English--are collected here for the first time. The Mind's Eye features Cartier-Bresson's famous text on
Reproduced in exquisite black and white, the images in this book range from Henri Cartier-Bresson's earliest work in France, Spain, and Mexico through his postwar travels in Asia, the US, and Russia, and even include landscapes from the 1970s, when he retired his camera to pursue drawing. While his
In December 1948, Henri Cartier-Bresson traveled to China at the request of Life magazine. He wound up staying for ten months and captured some of the most spectacular moments in China's history: he photographed Beijing in 'the last days of the Kuomintang,' and then headed back to Shanghai, where
Explores the key role Paris played in Cartier-Bresson's artistic career, and the way he looked at the city he lived in – and loved Henri Cartier-Bresson was ‘the eye of the 20th century’ and one of the world’s most acclaimed photographers. Paris was his home, on and off, for most of his
From his early encounters with the Surrealists, his film work and his experiences in the Second World War, to the development of his own personal aesthetic, the concept of the decisive moment, and the foundation of Magnum Photos, Henri Cartier-Bresson's influence on the world has been profound
Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer's The Concert? And what is Susan Meiselas's take on Instagram and the future of online storytelling? Aperture
Eugenia, an expatriated American, is the morganatic wife of a German prince, who is about to reject her in favor of a state marriage. With her artist brother Felix Young she travels to Boston to visit relatives she has never before seen, in hopes of making a wealthy marriage. The men of Boston soon
Named a Vogue, Esquire, NPR, Marie Claire, and Refinery29 Best Book of the Year. Perfect for fans of Normal People and Fleabag Great inventiveness, unfailing intelligence and empathy, and best of all a rare and shimmering wit' Richard
Richard the Second is losing his hold on the crown and Henry of Bolingbroke, previously exiled by the king, returns to England to claim it. When the king dies, Harry became King Henry the Fifth, and the change is dramatic for both him and
When Catherine de' Medici was forced to marry Henry of Orleans, her's was not the only heart broken. Jeanne of Navarre once dreamed of marrying this same prince. And so both Catherine and Jeanne's lives are set on unwanted paths, destined to cross in affairs of state, love and faith, driving them
During a trip to Europe, Christopher Newman, a wealthy American businessman, asks the charming Claire de Cintr� to be his wife. To his dismay, he receives an icy reception from the heads of her family, who find Newman to be a vulgar example of the American privileged class. Brilliantly combining