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The British Film Industry in 25 Careers tells the history of the British film industry from an unusual perspective - that of various mavericks, visionaries and outsiders who, often against considerable odds, have become successful producers, distributors, writers, directors, editors, costume designers, agents, special effects technicians, talent scouts, stars and, sometimes, even moguls. Some, such as Richard Attenborough and David Puttnam, are well-known names. Others, such as the screenwriter and editor Alma Reville, also known as Mrs Alfred Hitchcock; Constance Smith, the 'lost star' of British cinema, or the producer Betty Box and her director sister Muriel, are far less well known. What they all have in common, though, is that they found their own pathways into the British film business, overcoming barriers of nationality, race, class and gender to do so.
The British Film Industry in 25 Careers tells the history of the British film industry from an unusual perspective - that of various mavericks, visionaries and outsiders who, often against considerable odds, have become successful producers, distributors, writers, directors, editors, costume
The British Film Industry in 25 Careers tells the history of the British film industry from an unusual perspective - that of various mavericks, visionaries and outsiders who, often against considerable odds, have become successful producers, distributors, writers, directors, editors, costume
What has brought about the transformation of the British film industry over the last few decades, to the beginnings of what is arguably a new golden era?In the mid-1980s the industry was in a parlous state. The number of films produced in the UK was tiny. Cinema attendance had dipped to an all-time
After the advent of sound, women in the British film industry formed an essential corps of below-the-line workers, laboring in positions from animation artist to negative cutter to costume designer. Melanie Bell maps the work of these women decade-by-decade, examining their far-ranging economic and
The politics of race in British screen culture over the last 30 years vis-a-vis the institutional, textual, cultural and political shifts that have occurred during this period. Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This
The second edition of Peter Hutchings's landmark work on British horror cinema, featuring later writings by Hutchings and a new introduction by film historian Johnny
Exploring the successes and setbacks for the British aviation industry from
Films for the Colonies examines the British Government's use of film across its vast Empire from the 1920s until widespread independence in the 1960s. Central to this work was the Colonial Film Unit, which produced, distributed, and, through its network of mobile cinemas, exhibited instructional
A new collection by one of the very few mavericks in contemporary British poetry, a flaneur who observes the absurdity of life and brings this to the page with both heartbreak and humour. The poems in this new collection are grouped into three main sections: 'Happiness', 'The Street of Perfect
The second edition of Peter Hutchings's landmark work on British horror cinema, featuring later writings by Hutchings and a new introduction by film historian Johnny
This book explores how home was pictured in the 'golden age' of British cinema. Drawing on a wide range of evidence to explore the depiction of domestic life in popular culture, it resituates feature films from the 1940s in relation to narratives of domestic, suburban modernity and the middlebrow
Barry Forshaw celebrates with enthusiasm the British horror film and its fascination for macabre cinema. A definitive study of the genre, British Gothic Cinema discusses the flowering of the field, with every key film discussed from its beginnings in the 1940s through to the 21st
Half a century on, the fascination with the 1960s continues to generate strong intellectual and emotional responses - both positive and negative - and this is no less true in the arena of film. Making substantial use of a range of new and underexplored archive resources that provide a wealth of new
Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when
The end of the empire and the legacies of Britain's imperial past have shaped how the British public interact with the outside world. This book shows how the international activities of civic associations in the 1960s can help us to understand the impact of decolonisation on the British public's
Drawing together a range of essays, this is the history of lesbian, gay and queer representation in British cinema. From the early years of 'Pre-Gay, through the post-war gay liberation, and the 'post-AIDS' queer generations, it provides an historical perspective on queer cinema. It is for students
The author, who lives in Shanghai, sets out to demonstrate that the British military has been at the forefront of many of the great changes that have swept China over the last two centuries.He devotes chapters to the various wars, military adventures and rebellions that regularly punctuated
Classic / British English 'We'll give a free dinner to the person who tells the best story. Now, put up your hands if you agree.' The pilgrims all held up their hands. A group of pilgrims are travelling together for five days from London to Canterbury. On the way, each pilgrim has to tell a story
'Jim Cartwright is one of the mavericks of British theatre' Daily Telegraph Two: 'A sharp, salty, quickfire evocation of the surface gaiety and underlying melancholia of English pub life.' The Guardian Bed: 'It's insights into the twilight world of old age are remarkable, Cartwright's ode to sleep
How the legacy of monarchical empires shaped Britain, France, Spain, and the United States as they became liberal entities Historians view the late eighteenth and early nineteenth centuries as a turning point when imperial monarchies collapsed and modern nations emerged. Treating this pivotal
The story of the British officer who was first to arrive at Bergen-Belsen, and the life of one of the many he saved from
From its launch in 1958, the Leyland Atlantean played a pivotal role in the British bus industry. The first double-deck bus in the UK to offer the now commonplace layout of front entrance and rear engine, the Atlantean enjoyed an uninterrupted production run of nearly thirty years, with examples
British Sign Language (B.S.L.) is the visual gestural language of the Deaf community in Britain and is the first or preferred language of over 70,000 people. This is the first major B.S.L./English Dictionary to be