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This collection of essays questions our assumptions about the fin de si cle by exploring the fiction of Richard Marsh (1857-1915), one of the most prolific and popular authors of the period, whose bestselling Gothic novel The Beetle: A Mystery (1897) outsold Bram Stoker's Dracula for several decades. Born Richard Bernard Heldmann, he began his literary career penning boys' stories under his real name but, following a prison sentence for fraud, reinvented himself as 'Richard Marsh' in 1888. A versatile contributor to the literary and journalistic culture of his time, Marsh produced middlebrow genre fiction including Gothic, crime, humour, romance and adventure. His stories of shape-shifting monsters, daring but morally dubious heroes, lip-reading female detectives and objects that come to life helped to shape the genres with which we are familiar today.
Produkt Richard Marsh, popular fiction and literary culture, 1890-1915: Rereading the fin de sicle (Margree Victoria)(Pevná vazba) má EAN kód 9781526124340.
This collection of essays questions our assumptions about the fin de si cle by exploring the fiction of Richard Marsh (1857-1915), one of the most prolific and popular authors of the period, whose bestselling Gothic novel The Beetle: A Mystery (1897) outsold Bram Stoker's Dracula for several
In this revisionary study, Will Tattersdill argues against the reductive 'two cultures' model of intellectual discourse by exploring the cultural interactions between literature and science embodied in late nineteenth-century periodical literature, tracing the emergence of the new genre that would
The nineteenth-century French writer and publisher Leon Genonceaux (1856--?) is as much of an enigma as those two legendary enfants terribles whom he was the first to publish: Arthur Rimbaud and the Comte de Lautreamont. After he had done so, a conviction for publishing indecent literature