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The world of medieval romance is one in which magic and the supernatural are constantly present: in otherwordly encounters, in the strange adventures experienced by questing knights, in the experience of the uncanny, and in marvellous objects - rings, potions, amulets, and the celebrated green girdle in 'Sir Gawain and the Green Knight'. This study looks at a wide range of medieval English romance texts, including the works of Chaucer and Malory, from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas. The book opens with a survey of classical and biblical precedents, and of medieval attitudes to magic; subsequent chapters explore the ways that romances both reflect contemporary attitudes and ideas, and imaginatively
The world of medieval romance is one in which magic and the supernatural are constantly present: in otherwordly encounters, in the strange adventures experienced by questing knights, in the experience of the uncanny, and in marvellous objects - rings, potions, amulets, and the celebrated green
In the ancient world, magic was everywhere. The supernatural abounded, turning flowers into fruit and caterpillars into butterflies. In a time before scientists studied weather patterns and figured out what caused the Earth's most mysterious phenomena, it was magic that packed a cloud full of
This invigorating study places medieval romance narrative in dialogue with theories and practices of gift and exchange, opening new approaches to questions of storytelling, agency, gender and materiality in some of the most engaging literature from the Middle Ages. It argues that the dynamics of
Magic, sorcery and witchcraft are among the most common themes of the great medieval Icelandic sagas and poems, the problematic yet vital sources that provide our primary textual evidence for the Viking Age that they claim to describe. Yet despite the consistency of this picture, surprisingly
Intrigue, romance, and magic abound in the heart-stopping conclusion to Marie Rutkoski's Forgotten Gods
The picturesque English town would be nothing without its steeple. Fifty English Steeples tours the fifty most important medieval parish church towers and spires in England, covering a period of some five hundred years. Historically accurate, this elegant volume represents five years of painstaking
How the Medieval English developed their battle-winning archery
From devotional literature to political narratives, medieval texts propose that sexual violence victims have privileged moral, ethical, and spiritual insight. This book explores these discourses of survival in a wide range of medieval English texts, including letters of spiritual advice, legal
The medieval reception of Alexander the Great inspired a complicated literary corpus not simply because it involved so many source-texts and languages, but because it incorporated such diverse perspectives on the conqueror. Beginning with a discussion of the evolution of this corpus, this book
The Despensers were a baronial English family who rose to great prominence in the reign of Edward II (1307-27) when Hugh Despenser the Younger became the king's chamberlain, favorite, and perhaps, lover. He and his father Hugh the Elder wielded great influence, and Hugh the Younger's greed and
The first collection of Joseph Campbell's writings and lectures on the Arthurian romances of the Middle Ages, a central focus of his celebrated scholarship, edited and introduced by Arthurian scholar Evans Lansing Smith, PhD, the chair of Mythological Studies at Pacifica Graduate Institute
A lush tapestry of magic, romance, and revoluci n, drawing inspiration from Bolivian politics and history.'A lush, vibrant feast of a book.' - Margaret Rogerson, NYT bestselling author of An Enchantment of Ravens'A wholly unique book for the YA shelf.' - Adrienne Young, NYT bestselling author of
This book is a collection of chapters on supernatural belief and practice in Scotland between 1500 and 1800. It deals with elite culture - from political prophecy to astrology, theology and poetic visions. And it deals with popular culture - from trances and visionary encounters with ghosts and
- An epitomy of all surviving English medieval recipes - The great advantage for students of medieval English cookery is that there is an identifiable corpus of evidence in the manuscripts that have survived to the present day. Although there may be some new discoveries, in general terms the corpus
High kings, forbidden romance, and ancient magic all feature in these rich and colorful myths. Packed with 28 classic tales drawn from Ireland's ancient tradition of storytelling, these legends will delight children of all ages as they have for
Astrology in Medieval Manuscripts explores the dazzling complexity of western medieval astrology and its place in society, as revealed by a wealth of illustrated manuscripts from the British Library's rich medieval
A stunning and sensitive portrait of the strength within each of us and the nourishment we receive from the natural world, by the New York Times bestselling creator of the acclaimed My Heart and The Book of Mistakes Through poetic text and exquisite illustrations of children reveling in nature,
The English style in interior design is admired and imitated the world over. The English style in interior design is admired and imitated the world over. At its grandest it is a stately home furnished with antiques, but the houses featured in this book are country cottages, farmhouses, townhouses,
The volume discusses domestication and foreignization in Polish-English and English-Polish translation. The case studies are based on research projects by graduates of the Department of English at Nicolaus Copernicus University in Toruń,
Throughout the Middle Ages, medieval manuscripts often featured dogs, from beautiful and loving depictions of man's best friend, to bloodthirsty illustrations of savage beasts, to more whimsical and humorous interpretations. Featuring stunning illustrations from the British Library's rich medieval
Sarah Elliott Novacich explores how medieval thinkers pondered the ethics and pleasures of the archive. She traces three episodes of sacred history - the loss of Eden, the loading of Noah's ark, and the Harrowing of Hell - across works of poetry, performance records, and iconography in order to