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From its 1790 founding until 1974, Washington, D.C.--capital of 'the land of the free--lacked democratically elected city leadership. Fed up with governance dictated by white stakeholders, federal officials, and unelected representatives, local D.C. activists catalyzed a new phase of the fight for home rule. Amid the upheavals of the 1960s, they gave expression to the frustrations of black residents and wrestled for control of their city. Bringing together histories of the carceral and welfare states, as well as the civil rights and Black Power movements, Lauren Pearlman narrates this struggle for self-determination in the nation's capital. She captures the transition from black protest to black political power under the Lyndon Johnson and Richard Nixon administrations and against the backdrop of local battles over the War on Poverty and the War on Crime. Through intense
From its 1790 founding until 1974, Washington, D.C.--capital of 'the land of the free--lacked democratically elected city leadership. Fed up with governance dictated by white stakeholders, federal officials, and unelected representatives, local D.C. activists catalyzed a new phase of the fight for
During the late 1960s and early 1970s, in response to the political turbulence generated by the Vietnam War, an important group of American artists and critics sought to expand the definition of creative labor by identifying themselves as 'art workers.' In the first book to examine this movement,
This book presents the story of Ruby A. Black, a feminist who broke new ground for women in Washington journalism in the 1920s and 1930s as a correspondent for a Puerto Rican newspaper and the first biographer of Eleanor Roosevelt. It offers access to the secret correspondence that shows how Black
From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against
From the earliest days of rock and roll, white artists regularly achieved fame, wealth, and success that eluded the Black artists whose work had preceded and inspired them. This dynamic continued into the 1960s, even as the music and its fans grew to be more engaged with political issues regarding
The synthetic proposition examines the impact of Civil Rights, Black Power, the student, feminist and sexual-liberty movements on conceptualism and its legacies in the United States between the late 1960s and the 1990s. It focuses on the turn to political reference in practices originally concerned
UPDATED AND REVISED EDITION THE LITTLE-KNOWN STORY OF POOR AND WORKING-CLASS WHITES, URBAN ETHNIC GROUPS AND BLACK PANTHERS ORGANIZING SIDE BY SIDE FOR SOCIAL JUSTICE IN THE 1960S AND '70S Some of the most important and little-known activists of the 1960s were poor and working-class radicals