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Beatles - Nothing is Real - velikost S
In this collection of essays written throughout his career, Hepworth shows how it is possible to take music seriously and, at the same time, not drain the life out of it. David Hepworth believes the same to be true of music and this selection of his best writing, covering the music of last fifty
(Fake Book). This Real Book edition pays tribute to the Fab Four with over 100 arrangements of their masterful songs. Each song remains true to the spirit of its original performance and is presented in the classic fashion you've come to know from The Real Book with easy-to-read musical notation
Double or Nothing is a concrete novel in which the words become physical materials on the page. Federman gives each of these pages a shape or structure, most often a diagram or picture. The words move, cluster, jostle, and collide in a tour de force full of puns, parodies, and imitations. Within
(Easy Piano Personality). Hal Leonard is proud to present this matching songbook to the Beatles' landmark release of their #1 hits spanning 30 years. Songs include: All You Need Is Love * The Ballad of John and Yoko * Can't Buy Me Love * Come Together * Day Tripper * Eight Days a Week * Eleanor
(Easy Piano Personality). The First 50 Songs by the Beatles You Should Play on the Piano is a simply arranged, must-know collection of the Fab Four's greatest hits. Each arrangement includes chords and lyrics in an easy-to-read and play format for Beatles fans of all ages. Songs include: Across the
(This print book is available in Color and B&W)'Nothing is less real than realism. Details are confusing. It is only by selection, by elimination, by emphasis, that we get at the real meaning of things.' -Georgia O'Keeffe, 1922 Long before Georgia O'Keeffe started painting the great landscapes of
THE BEATLES BOOK is the ultimate authority on the fab four. Hunter Davies, the only ever authorised biographer of the group, brings together three eminent Beatles experts to compile an invaluable and essential guide. Divided into four sections - People, Songs, Places and Broadcast & Cinema - The
The appeal of the Beatles is everlasting. Millions of fans from all over the world continue to revel in the band's eternal hits and their music stands out as one of Britain's greatest cultural successes. This book takes the reader on a journey to the Fab Four's home town of Liverpool and explores
2019 Ohioana Book Award - Readers' Choice Winner Nothing is Okay is the second full-length poetry collection by Rachel Wiley, whose work simultaneously deconstructs the lies that we were taught about our bodies and our beings, and builds new ways of viewing ourselves. As she delves into queerness,
In Nothing Is Wrong and Here Is Why, acclaimed Washington Post satirist Alexandra Petri offers perfectly logical, reassuring reasons for everything that has happened in recent American politics that will in no way unsettle your worldview. In essays both new and adapted from her viral columns, Petri
There's only one book that ever truly got inside the Beatles and this is it. This 40th anniversary edition contains new material which has never been revealed before, from the author's archives and from the Beatles themselves, that will bring new insights to their
Now in paperback, Tune In is the New York Times bestseller by the world's leading Beatles authority - the first volume in a groundbreaking trilogy about the band that revolutionized music. The Beatles have been in our lives for half a century and surely always will be. Still, somehow, their music
In Nothing Is Wrong and Here Is Why, acclaimed Washington Post satirist Alexandra Petri offers perfectly logical, reassuring reasons for everything that has happened in recent American politics that will in no way unsettle your worldview.In essays both new and adapted from her viral Washington Post
Is matter real? Are persons real? Is time real? This Very Short Introduction discusses what, if anything, is 'real' by looking at a variety of arguments from philosophy, physics, and cognitive science. Jan Westerhoff shows that the question 'what is real?' is not some esoteric puzzle that only